Presented by Creative City Project and Timucua Arts Foundation, “Re:Charge” was billed as a restful experience and it lived up to that description.Ĭoncertgoers had been encouraged to bring blankets and pillows from home to the large hall inside Harriett’s Orlando Ballet Centre in Loch Haven Park. “Re:Charge” concert sold out so quickly that a second performance was added for later that night.
#Footlight theatre orlando windows
Find out more at .Ī violinist is silhouetted against the windows of Harriett’s Orlando Ballet Centre during the July 18 “Re:Charge” concert presented by Creative City Project and Timucua Arts Foundation. Wildfire Players’ next production, “Dog Sees God: Confessions of a Teenage Blockhead,” runs July 24-26. That’s more work for the theater, of course, but could reassure those skittish about buying a ticket. The chairs could be arranged by the groups coming, with those who show up at the last minute (or late) relegated to single seats in the back of the room. It might be more prudent for theaters to assign all seats beforehand to prevent strangers mingling as much. Surprises like that tend to pull one’s attention from what’s happening on stage. A latecomer sat down next to me, which startled me, and then took off her mask for several minutes while she removed a pullover sweater. The audience was kept far away from the unmasked performers, who sang to recorded music, but that meant the large space - designed to dampen the noise of retail shopping - often swallowed the sound.Īnd though all kinds of precautions were taken - temperature checks, mask wearing by audience members, socially distanced seating in small groups or single chairs - once the lights go down, there’s no telling what audience members will do.Ī young man in front of me, for example, left his mask pulled down off his nose for nearly the whole show. Presented by Penguin Point Productions in Oviedo Mall, the show was moved from a small theater to a much larger former Gap clothing store. The production made its point, but in some ways the protection against COVID-19 worked against the show. It follows the lives of a group of aspiring entertainers at New York’s High School for Performing Arts.Īnyone interested in applying should send their theatrical CV and a covering letter detailing their experience and motivations for applying for the posts to: by noon on Monday 24 April 2017. Suitable applicants will be invited for an interview later on in that week.I wouldn’t disagree, but “Assassins” co-director Gabriel Garcia told me before the performance that the show’s message - about how the American dream fails some and drives them to desperate acts - has a special resonance during this time of civil and social unrest.
#Footlight theatre orlando download
Job descriptions for the five positions are available to download from Dropbox, here: Footlights has a strong reputation for professionally staged shows, in recent years it has staged productions of Urinetown (2017), Guys & Dolls (2016), Rent (2015) and the Scottish premiere of In The Heightsin 2014.įame: the Musical is based on the award-winning 1980 movie. The Footlights committee said: “This is a unique and exciting opportunity for anyone wishing to develop their repertoire, with a diverse cast who wish to be challenged in every aspect of performance.” The deadline for applications for these roles is noon on Monday 24 April 2017. Rehearsals will take place three times a week.
The initial production meetings will be held at the end of May with auditions in September. The production will run at the Church Hill Theatre, Tuesday 6 – Saturday 10 February 2018. The company is inviting applications from non-students as well as students for the unpaid posts of director, musical director, choreographer, producer and production manager. By Thom Dibdin More Footlights seeks creatives for February showĮdinburgh University Footlights has announced that its February 2018 production will be Fame: The Musical and has put out an open call for the creative team to stage the show.
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